05.02.2025, 20:39
Dear Dan,
Thank you for sharing your insights and results with DeepRemaster on Casablanca (1942). Your explanation of the challenges with ColorMNet and how DeepRemaster effectively handles desynchronized reference frames is truly fascinating. The approach of balancing past and future reference images makes a lot of sense, and the improvement is clearly visible in the blue-parrot scene, what a great example!
It’s exciting to see how DeepRemaster is pushing the boundaries of automated colorization, especially with its ability to store full frames in a tensor array for more consistent results. Adding it to the HAVC filter is a fantastic step forward, and I can’t wait to see what further refinements and applications will come next.
Thanks again for your dedication and for sharing your work. Bravo!
Best regards,
Thank you for sharing your insights and results with DeepRemaster on Casablanca (1942). Your explanation of the challenges with ColorMNet and how DeepRemaster effectively handles desynchronized reference frames is truly fascinating. The approach of balancing past and future reference images makes a lot of sense, and the improvement is clearly visible in the blue-parrot scene, what a great example!
It’s exciting to see how DeepRemaster is pushing the boundaries of automated colorization, especially with its ability to store full frames in a tensor array for more consistent results. Adding it to the HAVC filter is a fantastic step forward, and I can’t wait to see what further refinements and applications will come next.
Thanks again for your dedication and for sharing your work. Bravo!
Best regards,